This past Monday, instead of teaching a trumpet lesson, I
taught a choral warm-up. Needless to say it was once again, interesting.
After teaching my warm-up lesson, I realized that I could
have done a lot more than just sing a scale with solfege. There was a lot that
I missed that could have vocally warmed up my students. I originally had on my
lesson plan after we sung a scale; I would have had my students sing thirds (Do
Mi Re Fa, etc). I used to do them as a small warm-up for my sight-singing class
just because it got us thinking about solfege and it was fun to do. Perhaps for
next time I decide to teach a warm up, I could have used syllables that could
have helped more than solfege.
I enjoyed the fact that I was able to talk less and do more
in order to achieve what I wanted. If I added more, I felt as though I would be
more implied to explain more and do less. I should have used more exercises,
but then again it’s just a warm-up. How many exercises can you do before it
becomes too much and you have less time to work on repertoire? It seems as
though there is a delicate balance between the two. I find this problem
sometimes when I’m teaching my flute and clarinet students. Sometimes warm ups
take a little too much time, but it can be productive when I ask for my
students to play with a good tone. With a choral warm-up there’s just more to
it than singing scales. I should have known that after taking choir as an
undergrad with an amazing choir professor. With more exercises that dealt with
keeping the right “technique” for singing, the more I could have accomplished.
There’s always room for improvement and this lesson gave me
an eye-opening look into what I should work on before I teach again.
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